ŠATRAGHÂR DÛZAKH-ÛR
ŠATRAGHÂR DÛZAKH-ÛR Grimoire of Persian Witchcraft and Black Shamanism of the Desert
By Temple of Neuromancers
Reader Edition — US$45 (soft Cover) Hardcover — US$75 (Printed Cover) Special Leather Edition — US$120 (includes Altar Cloth + Colorful Plates )
Large format: 6.50 × 9.25 inches
ŠATRAGHÂR DÛZAKH-ÛR: Grimoire of Persian Witchcraft and Black Shamanism of the Desert is an extensive exploration of Persian darkness, Daevic mythology, necromantic symbolism, desert sorcery, djinn traditions, funerary cosmology, and experimental ritual practice, developed through the visionary framework of the Temple of Neuromancers. Drawing inspiration from Zoroastrian cosmology, Avestan and Middle Persian concepts, Iranian demonology, folklore, spirit traditions, and contemporary occult experimentation, the book descends into the primordial conflict between Asha and Druj, the mysteries of Zurvan, the shadow of Angra Mainyu, the Daevic host, the contamination of death through Nasu, the Chinvat Bridge, Duzakh, and the forbidden territories associated with the journey of the soul beyond physical existence.
As the work progresses, the desert ceases to function merely as a geographical landscape and gradually becomes a vast initiatory territory, where ruins, salt valleys, abandoned roads, bones, masks, black fire, and forgotten spirits are transformed into instruments of ritual mutation. Nomadic sorcerers, the Zindah-Morts, the Necromancers of the Salt Valleys, and caravans carrying forbidden knowledge become part of an evolving ritual mythology in which ancient images merge with newly developed structures of magical practice. The grimoire moves through cadaveric magic, the inversion of Zoroastrian symbolism, pacts with abyssal entities, corrupted sacred formulae, necrodivination, black mirrors, visionary trance, and techniques of descent into subterranean landscapes of consciousness. Djinn, Daevas, and desert spirits appear as forces connected with thresholds, possession, altered perception, and the progressive dissolution of ordinary identity.
One of the central ideas of the book proposes that death, exile, and descent may operate as technologies of initiation. Bones become oracular instruments, ash becomes the residue of transformation, tombs become gates, and the desert becomes a living map through which the practitioner encounters regions of consciousness normally concealed beneath the surface of everyday perception.
In its later sections, ŠATRAGHÂR DÛZAKH-ÛR introduces the seals of the Four Exiled Djinn, the Three Black Suns, the invisible kingdoms beneath the sands, the Inverted Tower of Rayen, and the Four Gates of the Middle Eastern Abyss, carrying the work beyond historical material and into a contemporary magical system constructed through ritual experimentation, dream, trance, and visionary experience. ŠATRAGHÂR DÛZAKH-ÛR is neither intended as a literal reconstruction of an ancient Persian grimoire nor as a conventional historical study. It is a modern ritual work in which historical, folkloric, syncretic, and Temple-derived elements converge within a single operative architecture, while the different origins of these materials remain clearly distinguished.
Written for readers interested in Persian esotericism, demonology, necromancy, djinn traditions, black shamanism, visionary magic, and experimental occultism, the book presents the desert as a territory of rupture and revelation, a place where inherited cosmologies are transformed into living systems of experience and where the initiate moves progressively toward increasingly profound regions of death, memory, and the unseen.
At its core, ŠATRAGHÂR DÛZAKH-ÛR: Grimoire of Persian Witchcraft and Black Shamanism of the Desert is a grimoire of descent, corruption, mutation, and rebirth, constructed around one essential idea: beneath every visible desert lies another desert, and beneath every known world remains a gate leading toward something older, darker, and still unfinished.
Contents
Prologue: The Poisoned Dream of the Daeva
The Eye of Angra Mainyu: An Introduction to Persian Black Magic
The Primordial Conflict and Its Resonance in Consciousness, Magic, and the Soul
Asha and Druj: The Architecture of Truth and Falsehood
Zurvan: Infinite Time and the Womb of the Two Spirits
The Inversion of the Cult of Ahura Mazda
The Daevic Host: Aēšma, Āz, Aži Dahāka, and the Pairikās
Nasu and the Forbidden Dead: Corpse Contamination, Fravašis, and the Inversion of Death
The Geography of Death: Chinvat, Alborz, Duzakh, and the Three Nights of the Soul
Cadaveric Magic and the Power of the Desert
Children of the Desert: Nomadic Sorcerers and the Lineage of the Black Fire
Caravans of Forbidden Knowledge
The Zindah-Morts: Clans of the Living Dead
Totems, Bones, and Masks of Ash
Ahriman and the Court of the Shadow Beasts
Rituals for Summoning the Destroyer
Sacrifices of Shadow
Pacts with the Demons of the Persian Abyss
The Night of the Fallen Zoroastrians
The Black Avesta: Inverted Sorcery and the Corrupted Chant
Enchantments That Corrupt the Soul
Invocations to the Forgotten Powers of the Underworld
The Breath of the Black Djinn: Shamanism and Possession
The Journey of the Soul Through the Sands of Oblivion
The Whistling Tongue of the Desert Spirits
The Seal of Zaltash and the Inverted Exorcism
The Well of Fire and the Blue Blood of the Sacred Camel
The Alchemy of Death Within the Body
The Poison Dream Beneath the Crescent Moon: Plants, Trance, and Vision
The Obsidian Mirror of Namtar
Necrodivination: Bone, Ash, Shadow, and the Dead Oracle
The Architecture of Dissolution: Vibrations of the Soul, the Inverted Tower of Rayen, and the Faceless Men
Crossing the Threshold of the Three Black Suns
The Seals of the Four Exiled Djinn
The Four Gates of the Middle Eastern Abyss: Azazil, Namtar, Ashmedai, and Duzakh
Necromancy Through the Tongues of the Ancients
The Final Crossing of the Initiate
The Birth of the Necromancers of the Salt Valleys
The Invisible Kingdoms Beneath the Sands
Epilogue: The Desert Remembers
Appendix I: Lexicon of Avestan, Middle Persian, and Ritual Terms
Appendix II: Historical, Folkloric, Syncretic, and Temple-Derived Entities
Appendix III: Ritual Materials and Symbolic Substitutions
Bibliography